Politics, Poetry and Reviews

Tag: novella (Page 2 of 2)

Hugo Reading 2017: The Ballad of Black Tom, by Victor Lavalle

The second novella I read was The Ballad of Black Tom, by Victor Lavalle. This story is dedicated ‘For H.P. Lovecraft, with all my conflicted feelings’. I haven’t read any Lovecraft, so the only things I know about him are 1. Horror; 2. Cthulu; 3. Racism. All of which, needless to say, I know only at second hand.

It turns out that this was not sufficient preparation for this story. For someone who is not expecting Lovecraft, or familiar with his tropes, the story seems to be a very noirish sort of tale, set in 1920s New York, centering around Charles Thomas Tester, who is black, a terrible musician, a reasonably astute con-man, and an occasional purveyor of magical artefacts. He is rather collected by an older, white occultist, called Robert Suydam, who is trying to summon some sort of sleeping king by using magic learned from the various immigrant populations of New York. Then his father is murdered by police in ‘self defense’, when they mistake his guitar for a gun, and he goes all in to the occult / revenge plot.

Honestly, this wasn’t my thing, and I felt as though it didn’t quite make sense. Which I mentioned to my husband, who quickly recognised the names Suydam and Malone and realised that the whole thing was kind of a pastiche / response to Lovecraft’s famously racist tale The Horror at Red Hook. And so I went away and read a couple of synopses and essays about Red Hook, and bingo! The story suddenly works a lot better. But I’m not sure that the mark of a good story is that it requires further reading to make sense? I am reluctant to say this, because I like playing with pastiche, too. And the story sort of worked without knowing any of that, but I feel as though knowing the original story would have brought this to life a lot more – just reading synopses made me realise that there were particular scenes being referred back to in clever ways.

I do think the racism – the constant, draining, everyday weight of it – was brought out very well in this story. And I like the fact that even the decent detective, the one who is not being gratuitously awful on every occasion, still participates in making the murder of Tommy’s father ‘legal’. And that the greatest fear at the end of the book, the one that is so great that it can’t even be permitted to be a memory, is that a Black man could have defeated so many white cops, armed only with a razor. I also note that the really nasty, racist private detective, the one who murders Tommy’s father, goes by the name of Mr Howard…

In conclusion, I’d say that The Ballad of Black Tom is well written, and not a bad story, if decidedly not my cup of tea, and probably very clever. I’ve seen reviews calling it a brilliant retort to Lovecraft, and it probably is. But since I don’t really know what it is retorting to, I can’t see it landing high on my ballot.

OK, I think that will do me for now.  I desperately need to read something which I don’t have to think critically about!  I shall return to these reviews in a few days.

Oh, and speaking of reviews, I have another one up at Smart Bitches, Trashy Books.  I finally managed to draw a RITA nominee that I actually liked!  And in the Romantic Suspense category, of all places…

Hugo reading 2017: Every Heart a Doorway, by Seanan McGuire

After all those short stories and comics, I wanted something a bit longer. But I’m not quite ready to commit to the novels yet, so it’s novella time!

First cab off the rank was Every Heart a Doorway, by Seanan McGuire. I’ve actually read this already, but it was a pleasure to re-read it. The basic premise of this story is that sometimes, the children who go to Narnia, or Oz, or Fairyland, or Wonderland, or the Land of the Dead, don’t want to come home. But they do anyway, and then what can they do? Well, fortunately for them, Eleanor West, who spent most of her childhood visiting a Nonsense world, has set up a school for these children, which is good, because whether they are High Nonsense / Virtuous, or High Logic / Wicked they tend to be a little bit odd.

Nancy has recently returned from the Land of the Dead, where she spent several years learning stillness before she was sent home to our world, in order to be sure that she wanted to stay. She is certain that the door will open again for her. Sadly, her parents think that she was kidnapped for six months and just want their bright, vibrant daughter back. They also want her to be normal and go on dates, which is a problem for Nancy, because she is asexual.

At the Home for Wayward Children, Nancy meets other children who are like her, but not like her. There is the hyperactive Sami, who spent time in a High Nonsense, candy-themed world; Allison, who ran on rainbows; the beautiful Kane, whose fairyland kicked him out when they realised that the little girl they had kidnapped was ‘actually a little boy who just happened to look like a little girl’ (I do like this way of describing a transgender character); the twins, Jack and Jill, who came from a rather dark world ruled by vampires, where Jack was apprenticed to the local mad scientist, and Jill was the chosen adopted daughter of the local vampire lord; and Christopher, my personal favourite, who went to a world of ‘happy, dancing skeletons’, and can still make skeletons dance with his bone flute.

Alas, someone is murdering the children at the school, and Nancy’s status as the new girl with an affinity for Death (and a tendency to be drawn to the other children from the darker worlds) makes her a suspect.

This story is great fun. It’s quite dark and scary in places, but there is a lovely sense of humour to it, and I do like the way Seanan writes characters whose sexualities are not the standard cis/het variety. I liked all of the characters, and of course the premise is awesome. The mystery was a bit light on – it was clear to me fairly early on who the murderer was – but in fact that didn’t matter, because the suspense came from a) the characters working it out b) wondering just what they would do when they did, since the personal moralities of these characters was pretty variable, and c) wondering whether any of the children would find their way ‘home’ to their other worlds. Which was, I think, something that mattered to the children even more than the murders did.

The bizarre bit is that I could have sworn that the answer to c) was different the first time I read this novella.

But I’ve just checked my hard copy of this book, and unless Seanan McGuire has channelled some sort of alternate universe magic – which is certainly possible – it was the same. Very odd. Anyway, I like this a lot, and it’s going to be high on my ballot!

Hugo reading 2016: Novellas

OK, we are on to the novellas, and at least I’ve already read one of these and know it is good.

Perfect State by Brandon Sanderson (Dragonsteel Entertainment) – I was liking this one, even though it was set in yet another virtual reality / computer game world (I feel like half the stories so far have been like this).  It was well-written, I was really enjoying the characters, the main female character was a heap of fun – and then we had the plot twist, which trashed the only female character in a way that was basically a cliché cake filled with cliché whipped cream and cliché jam, with cliché icing on top.  It certainly doesn’t deserve a no award – it’s a well written and enjoyable story, but boy, that annoyed me.  And it’s doubly infuriating because the author didn’t have to do that – he was clearly capable of more interesting things.  Gah.

The Builders by Daniel Polansky (Tor.com) – I’m afraid I just found this one boring and far too predictable – the dialogue, in particular, I felt like I had read many times before -and I didn’t really care about any of the characters.  I gave up at the 38% mark.  This might be unfair, but if you can’t hold my attention for the whole book – and I really did try to give it a fair shot – you probably don’t deserve my vote on the ballot.

Slow Bullets by Alastair Reynolds (Tachyon) – Surprisingly, I really liked this one.  I say surprisingly, because the opening scene had the heroine being tied down and tortured by the villain of the piece, and this was described (mostly in anticipation) in more detail than I, personally, needed.  And then it turned into a kind of ‘last survivors after a terrible, world-ending thing’ sort of story, which is also not my style.  But somehow, the focus in the end was on building and reconstructing and trying to find a way to survive as a community, and it was interestingly character-driven, and actually rather lovely and inspiring in some ways.  A worthy nomination, I feel.

Binti by Nnedi Okorafor (Tor.com) – Another good story, and unexpectedly peaceful.  I don’t know how to describe it without massive spoilers, but I liked it very much.  I liked the main character and her sense of self, particularly.

Penric’s Demon by Lois McMaster Bujold (Spectrum) – Look, I love Bujold’s Five Gods universe, and this is no exception.  I like Penric, and I like the way he tries to treat his demon like a person, and I like Desdemona, too.  Very happy to see this on the ballot.

I’m not quite sure what my final ballot order is.  Probably Penric, then Binti, then Slow Bullets, then Perfect State, then No Award, but I’m just not sure.  I loved Penric’s Demon, but I’m not sure that Binti isn’t the better book.

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